This book examines the phenomenon of modern memory as a reaction to total war an aspiration to truth-seeking provoked by the independent forces of modern war and collective violence which is transnational or postnational in character. Using examples from prose and poetry film and theatre painting and photography and music and the popular arts the author traces a narrative path through the events of the twentieth century defining the tradition of modern memory in terms of its essentially anti-militaristic anti-war character as expressed in the manner in which it represents recalled violence and atrocity. Through a series of thematic discussions of two world wars the Shoah urbicide and nuclear weapons Postnational Memory explores the formation of transnational memory drawing on examples from industrialized societies with a focus on memory of real events and their reproduction in literature and the arts often including personal recollections that link the self to the represented past. As such by asking how the concept of modern memory is constructed through the victims of war and genocide the book constitutes an alternative to national memories and hegemonic militarist or ethnocentric histories. Surveying the emergence of new transnational forms of remembering the past it will appeal to students and scholars of sociology memory studies and peace studies as well as those working in disciplines such as modern and international history cultural studies and military studies. . Language: English