Draws from twentiethcentury French thought on film and aesthetics to address the philosophical significance of the pervasiveness of screens in contemporary technological life as well as the mutation of philosophy that such a pervasiveness seems to require.In The Flesh of Images Mauro Carbone analyzed MerleauPontys interest in film and modern painting as it relates to his aesthetic theory and as it illuminates our contemporary relationship to images. PhilosophyScreens broadens the work undertaken in this earlier book looking at the ideas of other twentiethcentury thinkers concerning the relationship between philosophy and film and extending that analysis to address our experience of electronic and digital screens in the twentyfirst century. In the first part of the book Carbone examines the ways that Sartre MerleauPonty Lyotard and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century.