The early years of the twentieth century were a formative time in the long history of struggle for black representation. More than any other medium movies reflected the tremendous changes occurring in American society. Unfortunately since they drew heavily on the nineteenth-century theatrical conventions of blackface minstrelsy and the Uncle Tom Show traditions early pictures persisted in casting blacks in demeaning and outrageous caricatures that marginalized and burlesqued them and emphasized their comic or servile behavior. By contrast race filmsâthat is movies that were black-cast black-oriented and viewed primarily by black audiences in segregated theatersâattempted to counter the crude stereotyping and regressive representations by presenting more authentic racial portrayals. This volume examines race filmmaking from numerous perspectives. By reanimating a critical but neglected period of early cinemaâthe years between the turn-of-the-century and 1930 the end of the silent film eraâit provides a fascinating look at the efforts of early race film pioneers and offers a vibrant portrait of race and racial representation in American film and culture. . Language: English