Cultural Appropriation

From the fashion label Dior being accused of cultural appropriation after using American Indian imagery in an ad campaign for its âœSauvageâ fragrance to the backlash against Kendall Jennerâs afro-esque hairstyle in Vogue debates about cultural appropriation have reached a fever pitch. In this much-needed analysis of the phenomenon AurÃlia Bardon and Jennifer Page step back and ask: when is cultural appropriation wrong and when are we right to criticize it? Their analysis of wrongful cultural appropriation centers on three questions: whether appropriation involves theft; whether it communicates disrespect; and whether it disregards requests made by marginalized groups about their cultural practices. Sometimes they argue it is structural injustice rather than individual wrongdoing that is at stake. They examine cultural appropriationâs political dimensions asking whether the state should be neutral between appropriative and non-appropriative artistic expression. They contrast bans on wrongful cultural appropriation and the stateâs using its expressive power as a speaker spender and educator to discourage it. They also consider the ethical questions that arise when cultural appropriation debates spur further debates about online shaming and cancel culture. Using cases from music fashion and the arts Cultural Appropriation: Wrongs and Rights will be of great interest to students and researchers in philosophy politics and related subjects such as race and ethnic studies sociology and cultural studies. The Open Access version of this book available at http://www. taylorfrancis. com has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC BY)] 4. 0 license. Supported by the Publication Fund of the University of Konstanz Germany and the Open-Access Publication Funding Program of the Office for the Advancement of Research at John Jay College City University of New York USA. . Language: English