Generally speaking the philosophy of music hitherto can be said to approach music as it were from above or from outside. Music thus envisaged can be absolute or sounding forms in motion. It can be expression have a linguistic meaning tell a story be a manifestation of the world as will and conceptualization and mirror societys inward contradictions. Music is seen as an activity sometimes as interactivity not least through an anthropological approach in which prominence is given to its origins. This work is an attempt to reverse the argument by taking the phenomenon of tone as the starting point to work the way up to an understanding of the phenomenon of music to make a philosophy of tone the foundation of a philosophy of music. Such thoughts were already present in the authors previous works but being available only in Swedish will be enlarged here.